Stallone would continue, saying, “Then we were rehearsing at Coney Island and it was lunchtime, so we decided to take a break, and the only place that was warm was in the backseat of a Toyota. This shows a lack of awareness on Gere’s part, and it was a catalyst for what came next. Physicality is a part of filming, but there is absolutely no reason to disregard your co-star's wishes. I told him in a gentle fashion to lighten up, but he was completely in character and impossible to deal with.” Stallone would say, “One day, during an improv, he grabbed me (we were simulating a fight scene) and got a little carried away. When speaking with Ain’t It Cool News, Stallone would elaborate on the incident that changed everything. Stallone has been pretty honest and upfront about the situation over the years, and he has never minced words about the dislike between him and Gere. Now, while there are plenty of egotistical people in the business, things will usually never reach a point where another performer gets physical with the other, but this would not be the case here. He would strut around in his oversized motorcycle jacket like he was the baddest knight at the round table.”Įgos can run high in the entertainment industry, and Stallone immediately was not a fan of Gere. In 2006, Stallone would tell Ain't It Cool News, “We never hit it off. Things, of course, would change over time, but it should be noted that neither guy was a bankable star when this film went into production,Īccording to Stallone, it was predominantly an attitude problem that he took exception with when he was working with Gere. Let’s hop back to the 70s and see what took place between these two future stars! Stallone Never Liked Gere’s Attitudeīack when The Lords of Flatbush was made, neither Stallone or Gere were huge stars in the business. The film may not be remembered, but an incident that took place between Stallone and Gere has lived on in infamy. “If I had worked with this director, he, his family would never have been allowed to leave the country ever again, and he would never work,” the Runaway Bride (1999) actor said in an interview with The Hollywood Reporter.Back in the 1970s, Richard Gere and Sylvester Stallone worked together on a forgotten film called The Lords of Flatbush. Gere has openly stated that, “There are definitely movies that I can’t be in because the Chinese will say, ‘Not with him.’” There are certain people who aren’t willing to work with the actor due to how the connection could hurt them, or their families. The ban extends to directors, actors, and other aspects of the industry as well. Small, interesting, character-driven and narrative-driven stories. But I’m still making the same films that I was making when I started. When GQ reached out for comment the Academy press team told the magazine, “We don’t ban presenters.” For his part Gere says he was unaffected by the ban saying, “Studios are interested in the possibility of making huge profits. The Academy banned Gere for 20 years for changing the script, but the organization doesn’t admit it. The damage was done, and rather than receive truth and love, the Chinese government banned Gere and his movies form the country indefinitely. All in all, his speech was around two minutes long and the star did jump back to script once his piece was said. He implored viewers to “send love and truth” to the chairman to urge him to pull Chinese troops from the region and allow the people to be independent once again. The Pretty Woman(1990) actor was supposed to follow a script during his presentation for the ‘Best Art Direction’ award, but rather than read his lines he used his time to speak about something that troubled him: the “horrendous, horrendous human rights situation” that was happening (and still is) against the people of Tibet by China.ĭuring his time at the podium Gere called out Deng Xiaoping, the late chairman of the Chinese Communist Party for injustices against the people of Tibet. Gere, a well-known figure in Hollywood and highly praised actor was banned from the Oscars in 1993.
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